The Project Gutenberg Weekly Newsletter December 31, 2003 eBooks Readable By Both Humans and Computers For Since 1971 Part 1 In this week's Project Gutenberg Weekly Newsletter: 1) Editorial 2) News and Comment 3) Notes and Queries, Reviews and Features 4) Mailing list information Editorial Hello, May I just take this small space to wish you a happy and peaceful 2004. Happy reading, Alice Send suggestions and feedback to the newsletter editor at: news@pglaf.org Founding editor: Michael Hart hart@beryl.ils.edu Newsletter editor: Alice Wood news@pglaf.org Project Gutenberg CEO: Greg Newby gbnewby@pglaf.org Project Gutenberg website: http://gutenberg.net Project Gutenberg Newsletter website: http://gutenberg.net/newsletter Hosted by iBiblio, The Public's Library at http://ibiblio.org Radio Gutenberg: http://gutenberg.net/audio Distributed Proofreaders: http://www.pgdp.net Newsletter and mailing list subscriptions: http://gutenberg.net/subs.shtml ============= [ SUBMIT A NEW EBOOK FOR COPYRIGHT CLEARANCE ]============== If you have a book you would like to confirm is in the public domain in the US, and therefore suitable for Project Gutenberg, please do the following: 1. Check whether we have the eBook already. Look in http://gutenberg.net/GUTINDEX.ALL which is updated weekly. (The searchable catalog at http://www.gutenberg.net lags behind by several months) 2. Check the "in progress" list to see whether someone is already working on the eBook. Sometimes, books are listed as in progress for years - if so, email David Price (his address is on the list) to ask for contact information for the person working on the book. The "in progress" list: http://www.dprice48.freeserve.co.uk/GutIP.html 3. If the book seems to be a good candidate (pre-1923 publication date, or 1923-1988 published in the US without a copyright notice), submit scans of the title page and verso page (even if the verso is blank) to: http://beryl.ils.unc.edu/copy.html You'll hear back within a few days. 2) News and Comment To tell the truth, we are a bit short on news this week. However, I can report that Distributed Proofreaders has successfully negotiated it's way through a server move and the disruption it was suffering seems to have gone away. There are a couple of threads in the forums for Proofers to record their memories of 2003 which has turned into DP's most successful year to date, and to note predictions and hopes for 2004. All contributions are welcome, and I suspect there may be just a small party happening out there tonight. Alice Other news this week A new mirror for Project Gutenberg has been made available at: http://gutenberg.mirror.cygnal.ca ftp://gutenberg.mirror.cygnal.ca/pub/gutenberg/ Many thanks to Rafal Rzeczkowsk and Cygnal Technologies Corporation Radio Gutenberg Update www.gutenberg.net/audio channel 1 - Sherlock Holmes "The Sign of Four" channel 2 - Robert Sheckley's "Bad Medicine" Both are high quality live readings from the collection. Testing of Radio Gutenberg audio books on demand is currently taking place. QUICK WAYS TO MAKE A DONATION TO PROJECT GUTENBERG A. Send a check or money order to: Project Gutenberg Literary Archive Foundation 809 North 1500 West Salt Lake City, UT 84116 B. 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For more information, including several other ways to donate, go to http://www.gutenberg.net or email gbnewby@ils.unc.edu 3) Notes and Queries, Reviews and Features Following last weeks article about Folkden recordings, Gali takes a look at what else is out there for interested souls. The embroidered in silk and beadings sarafan or old wool rug in arabesques do not have a signature of a self-centered genius, however their impersonal pattern still touches and warms our souls and homes, being sometimes ridiculously misused, though. As the embellished bridle is hanging on the wall, or the wedding-vessel holds the pencils. And same for the old folk songs - even taken out of their context, they still sound good to our modern ear. They never come from the mind, so there is no complicated constructions or ambitious attempts, they are more like an embodied emotion. That is, one single emotion expressed on the proper occasion. And as to fully appreciate Bedouin clothing you should ride a camel under cruel desert sun, to understand the real value of the wild rider song, you should probably get a horse and at least few kilometers of the free ride. But we are listening to the passionate cante jondo without desire to love and kill; in the middle of crowded town, Slavic songs bring us the feeling of 'black' unbearable anguish in the waste space of earth with no soul on it, or Celtic melodies evoke a sense of fight and hidden fire under the cloudy northern skies, when we come back home from our very prosaic job. We are consuming pure emotions embedded in the old chip of simple melody and naïve words. In some sense it is an emotional dope. May be this is why people can not actually listen to folk music for long time in a row - it becomes an overdose. All the above is implied 10 times stronger to the performers not saying about composers. The professional passion or artificial irony kills this fragile construction as careless touch destroys Buddhists' sand pictures. Annoying and boring are the attempts of imitation and very rarely the rearrangement is as good as original. And even when we come to later urban folk music, the most successful examples are created by anonymous, honestly drinking in the smelly pubs and courting witty serving girls, and expressing in their verses not personified feeling of a human being in certain situation. No ego-reflections or back thoughts permitted in the real folk. The successful stylizations such as Turlough O'Carolan, are good because they little in common with the real folk music, filling its simple form with the complicated content, as in the expensive restaurant it is perversely delightful to have complex dish in the rough rural plate. The folk song is very reach theme for a research and many smart and talented written long interesting lines about it ? Frederico Garcia Lorca, Jorge Borhes, K.Balmont and many others. But these notes are serving only one simple purpose ? to evoke an interest to the theme in you, dear reader, so you will find what folk music is for yourself and highly probably that you will completely disagree with all what is written above. Which will mean that my goal was achieved and one more little piece of the great puzzle has come to its place in your world. Some useful links: http://www.elyrics.net/songs/c/Celtic_Folk/ - mp3 downloads http://www.contemplator.com/folk.html - plenty of texts and midi files for England, Ireland, Scotland and America folk music http://www.empireclubfoundation.com/details.asp?SpeechID=2470&FT=yes - speech about Folk Songs in French Canada by Barbeau, Marius in 1929 with somewhat interesting examples in two languages. Unfortunately I could not find any site for free downloading of Spanish, Georgian or Bulgarian folk music - that I personally like very much. Maybe some of you will have more success. Gali Sirkis Mailing list information For more information about the Project Gutenberg's mailing lists please visit the following webpage: http://gutenberg.net/subs.shtml Trouble? If you are having trouble subscribing, unsubscribing or with anything else related to the mailing lists, please email "owner-gutnberg@listserv.unc.edu" to contact the lists' (human) administrator. Please note the email address spelling. If you would just like a little more information about Lyris features, you can find their help information at http://www.lyris.com/help Please note that the newsletter staff do not have access to the mailing list email address list, so they are unable to subscribe / unsubscribe you themselves. They can however, give advice if you have trouble following the procedures on the webpage. Credits This weeks newsletter done by autopilot, so thanks to everyone for their contributions.
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