The Project Gutenberg Weekly Newsletter February 12, 2004 eBooks Readable By Both Humans and Computers For Since 1971 Part 1 In this week's Project Gutenberg Weekly Newsletter: 1) Editorial 2) News and Comment 3) Notes and Queries, Reviews and Features 4) Mailing list information Editorial Hello, Good day to one and all, unless you are Australian, in which case it might not be so good. More news this week on the Australian copyright change proposals, and Michael Hart visits Europe. In our A to Z we reach X - is there anything out there? Find out below. Happy reading, Alice Send feedback and suggestions to the newsletter editor at: newspglaf.org Founding editor: Michael Hart hartpobox.com Newsletter editor: Alice Wood newspglaf.org Project Gutenberg CEO: Greg Newby gbnewbypglaf.org Project Gutenberg website: http://gutenberg.net Project Gutenberg Newsletter website: http://gutenberg.net/newsletter Radio Gutenberg: http://gutenberg.net/audio Hosted by iBiblio, The Public's Library at http://ibiblio.org Distributed Proofreaders: http://www.pgdp.net Newsletter and mailing list subscriptions:http://gutenberg.net/subs.shtml ============= [ SUBMIT A NEW EBOOK FOR COPYRIGHT CLEARANCE ]============== If you have a book you would like to confirm is in the public domain in the US, and therefore suitable for Project Gutenberg, please do the following: 1. Check whether we have the eBook already. Look in http://gutenberg.net/GUTINDEX.ALL which is updated weekly. (The searchable catalog at http://www.gutenberg.net lags behind by several months) 2. Check the "in progress" list to see whether someone is already working on the eBook. Sometimes, books are listed as in progress for years - if so, email David Price (his address is on the list) to ask for contact information for the person working on the book. The "in progress" list: http://www.dprice48.freeserve.co.uk/GutIP.html 3. If the book seems to be a good candidate (pre-1923 publication date, or 1923-1988 published in the US without a copyright notice), submit scans of the title page and verso page (even if the verso is blank) to: http://beryl.ils.unc.edu/copy.html You'll hear back within a few days. 2) News and Comment Copyright proposals will affect Project Gutenberg of Australia Following our report in November about the free trade talks between Australia and the USA an agreement between the two countries has been reached this week. You can find the full details here: http://www.dfat.gov.au/trade/negotiations/us.html Part 8 will affect PGOz, and this states that amongst other items there will be " An increased term of protection for copyright material", this will bring the Australian copyright terms into line with the USA ones and effectively wipe 90% of etexts from PGOz. The Australian press today picked up on this issue with The Age printing this story: http://www.theage.com.au/articles/2004/02/10/1076388365432.html Several Project Gutenberg volunteers are planning a writing campaign to representatives within the Australian parliament. If you would like to know more about their efforts you can find information on the newsletter website www.gutenberg.net/newsletter Michael Hart visits Europe Before you ask he's not here to sightsee. Michael has a fairly comprehensive program whilst in Europe to talk about Project Gutenberg and issues such as copyright and etext production. Michael's European tour started today (Wednesday). This morning Michael accompanied Nicholas Pettauix to a radio interview (available here in French: http://media.rtbf.be/radio/alademande/face/MA_face.mp3 ). Whilst Michael was not able to speak himself to the journalist presenting the program, it appears that Michael and Nicholas have been successful in persuading the editor of Editions Luc Pere (http://www.lucpire.be) both to contribute to and use Project Gutenberg. Hopefully, another 1200+ titles will be available through this cooperative effort. Michael will be visiting UNESCO Paris tomorrow and representatives of the French Parliament on Friday. Other news this week Statistical roundup 11318 Total 02/11/04 Week #5 (36/323) 99 New This Week 86 New Last Week 82.20 Weekly Average 99 New This Month 411 New This Year 11.42 Average per day this year 3571 Projected Total for this year 50 New this week last year (02/05/03) 249 New this month last year (Feb) 287 New this year last year (2003) $ 0.88 Trillion dollar cost/book $ 1.42 Trillion dollar cost/book last year 7030 Etexts This Week Last Year 5 Production Weeks this Year 47 to go. 36 Production Days this Year 323 to go. 2 Production Months this Year 2282 eBooks in last 6 months (08/13/03 - 02/11/04) 26 weeks (32 - 5) 12.61 Daily Average for the last 6 months (181 production days) 2006 eBooks in the prior 6 months (02/05/03 - 08/06/03) 26 weeks (5 - 31) 11.02 Daily Average for the prior 6 months (182 production days) 5569 eBooks in the last 18 months (08/15/02 - 02/11/04) 78 weeks (32 - 5) --------------- New mirror: Sponsored by Informed Technology, located in West Leederville, Western Australia (available via WAIX): ftp://ftp.it.net.au/mirrors/gutenberg/ http://ftp.it.net.au/gutenberg/ rsync://ftp.it.net.au/gutenberg/ Thanks to Stephen Darragh --------------- As mentioned in part 2 of this weeks newsletter: Phaethon, by Charles Kingsley 11025 [Subtitle: Loose Thoughts for Loose Thinkers] For those wishing to know: the Rev. Charles Kingsley wrote this fictional account of Socrates and the youth Phaethon to counter what he saw as a drift away from traditional church teaching that was taking place in his age (i.e. the English Victorian era). Like a number of Kingsley's works it caused trouble when first published with critics attacking it. Literary and General Lectures and Essays, by Charles Kingsley 11026 For those wishing to know: another volume from Macmillan and Co.'s Works of Charles Kingsley. Odds and ends essays and a tribute to Rev. Frederick Denison Maurice. Kingsley was probably the best known of Maurice's "disciples" and many of Kingsley's famous works seek to expand Maurice's teachings via the medium of the novel. O+F, by John Moncure Wetterau 11005C Possibly our shortest title ever Celebrating Prishan Prishan has become this week the our first Distributed Proofreader to have proofed 100,000 pages. On behalf of Project Gutenberg and everyone here at the newsletter. Congratulations! Prishan has had a forum thread dedicated to this momentous occasion and from there we reproduce the words of Juliet Sutherland, "I'd like to take this occasion to recognize not only all the careful work that this milestone represents, but also your contributions to our community. You've kept us thinking, amused, and always learning. We've watched you become ever more fluent in English. We've learned about all sorts of holidays and traditions from India. And you've shared some very poetic and mystic moments with us." Well done Prishan, from all of us who dare to follow in your proofing steps. Distributed Proofreaders Update for February 11, 2004 At this time last week the total of Gold texts at DP stood at 3,175. This hour--since we do need to count by the hour now--the total has reached 3,260. That amounts to 85 projects completed and ready for posting to PG. The previous week matches that figure near to exactly. To set this into the context of where the column needs to go I will share with you my own perspective on how important an accomplishment 85 completed projects a week is. Bear with me for this ride? We have somewhere to get to today. This past Sunday was a rounded year since I joined up with Distributed Proofreaders. On that day in 2003 the total of Gold texts for the previous month was 119. February's total would match that number, evidencing a slight up-tick by doing so in 28 days. In only a year's time we have witnessed a month's total production being achieved in little over a week's time. How did DP manage this? Well, the answer to that is a little more elusive than we might like it to be. Simply put, it is true enough to say that this result rests upon a broad combination of factors and innovations. As there is much to be gained from a finer analysis of this success, we are going to looking into the facts of DP's production efficiency through the rest of this month. That the site coders and admin's have provided us with some new tools for deciphering this progress will make the investigation all the more interesting. But before we start exploring this study, it is important that we step back a little ways from the day to day work which brings us all together. Numbers are what we use to measure our progress and they are essential guides to steady improvement. What numbers alone cannot do is inform us of an eventual value of the product of our collective labors. Today is the 11th of February, halfway through the day DP has posted 125 books to PG. So for every day this month DP has transmitted 10 unique books into a form that allows them to be freely distributed throughout the world. If the present rate of production were to lock steady from now until New Year's eve, we will enrich the digital public domain by over 3,650 individual volumes in 2004. I stress that to the point of obvious redundancy for a specific reason; to remind us all of the central plot to this tale which we have all become players in. As a lifelongstudent of history it has long stood out to me that one of Humanities most costly flaws is that we forget. Forgetfulness seems to be hard wired into us. Yet I believe, in my more optimistic moments, that this might just be a saving grace and not the eventual cause of our doom. What saves us, quite often in the most critical moments, is each other. What I may forget you can easily refresh in my memory. This act of common humanity is so very essential to survival and progress. When it comes to the great social issues of our time there is no doubt to the imperative nature of this mutual care and exchange. The contextual question is whether or not such significance can be equally accepted within the PG/DP communities. I believe that this is not merely a possibility, but a necessity. What you are now reading is a second version of this week's DP Update. More than halfway through writing the first edition--which I must say, was 'quite good'--I deleted it. This was not an accident but a very firm intention. The path I was writing along was simply a wrong turn and I needed to go back to the fork in the road and take a completely different journey. If you are still reading, I assume that you want to come along? Good. I'm in the mood for noble company today. The heart of my unease with the initial version was that I was completely omitting any reference to the recent developments in Australia. This is really not such a hard thing to for a DPer who does not hail from 'Down Under.' It could almost be forgivable, just as the low murmur of a response to the Free Trade Agreement in the DP forums. See, the thing is we do not and can not work on the texts which are produced for PG Australia. So, for 95%+ of the DP community ... "Out of sight is out of mind." as far as this issue is concerned. For my part, recognizing that Alice would be covering the PGAU news front, I blissfully turned to all the upbeat, positive news of this week, for there is plenty of it. "After all, it is PGAU not DPAU, right?" . . . Wrong! And on that 'wrong' my index finger tapped the Delete key. To put it succinctly I will lift a quote from the recent thread in the DP forum about PGAU: "Apathy is illiterate--it would not care if the public domain were to go extinct. .... So it is on those who actively create with the PD to start making a loud noise. .... If people are not outraged by the present lock down on the PD it is not always their fault. It may be as simple as ... they just do not know about it." - Henry Craig Now I have known Henry for ten years, and in that time I have listened to that view repeated in many ways. Perhaps this is why the words kept nagging at me as I started writing earlier. If so, that would make my decision no less valid. Henry's right. If we care enough to commit our time, talents and creative energy to enriching the fields of the Public Domain, then we should be willing to stand up and defend that field when it comes under challenge. Now, let me be clear with you ... I am not talking about radicalism here. I am not endorsing anything different than what we already do; apply ingenuity to collective effort for a cause we all believe in which benefits people throughout the world. The distinction I propose is that we raise our perspectives just a little higher on the horizon. By this, I mean that our concern and care for a book project extends beyond the time when it is posted to PG. At the present level of production DP masters the means to produce over 3,600 books a year for Project Gutenberg. That is 3,600 books for everyone in the world with access to the Internet. If you go digging around in the basement of the forums you will find within my earliest posts, a call to embrace the historic significance of DP. This was itemized on several levels. We have used a decent amount of ink in past columns for the uniqueness of DP among distributed projects. The foundation of this distinction rests upon the fact that DP is 'distributed' through people, not electronic processors. This truly is historic, and it is not possible to know from today the long term utilization borne from the fruits of this 'proof of concept.' The recent decision to incorporate the DP model within the Rastko archive network of Europe is assuredly only the first of many innovative examples to come. The other historic development unfolding at DP is what needs a little more attention in light of recent events. The changes to trade agreed to this week in Australia are likely to have a profound impact on the network of Project Gutenberg archives. How we deal with this as a distributed community will depend a great deal upon our self concept and the estimation of our strength and influence within this age and for ages to come. We produce 10-12 books a day, every day for the education, enrichment and simple entertainment of the world public. Who else presently is doing that? I don't see anyone out there coming close. As impressive as this is, I say 'hold on a minute' and raise your eyes up. Expand your sense of who we are. Add to what DP produces, all the works by the Independent developers allied to PG. Take also into consideration the work of PG Australia, and the work now beginning at PG Europe. Combine this with the vast enrichment that is already being added through DPEU by the advent of character sets beyond Latin1. Look higher still and see the ever-increasing support of the National libraries and international cultural organizations along with the contributions by contemporary authors. Consider all of this, the next time you use the word "community" to describe what we are building at DP. Consider all of this ... because this is the DP community. The next time you are in a library and you come across a book that strikes you as a great addition to the PG archive ... think about what you are doing for a few moments. The next time you are scanning some pages, running some OCR, or uploading 25 megs of .png files ... think for a few moments. The next time you are proofing a page ... running GUIGuts or Verifying a finished project ... think about the countless individuals your work will be touching. Most importantly, the next time you download a completed text from PG ... think. Yes, at every point of contact and participation in this wonderful endeavor we should all pause for some moments, lift our eyes beyond the day's horizon and consider the enormous range of Humanity that we are connecting with. The work of Project Gutenberg IS unique to our time, and it is historic in nature. From the spark of inspiration that landed on Hart's shoulder some thirty years ago ... to the retired grandmother of six who will log on tonight in North London to proof a few pages of Wordsworth on DP ... to her great great grandson, not yet born who will carry the entire PG library in a hand held device on a summer vacation to the Moon some year ... we are all connected. And should it come to pass, like a shadow out of Mordor, that the work of PG Australia is removed from the public domain ...then too shall we all be connected. That day has not come yet. What has been agreed to on paper, is not yet law. Think about it ... that's all I ask. I did, and it changed every word you have read today. Think about it ... because thoughts do change things--they change us. If we change, then the world can change. We learnt this week that the future is no longer what it used to be. What it might now be leaves a heavy feeling in many hearts of those who are close to us in this work. What can we do about that? Pierre Teilhard de Chardin once wrote, "The future belongs in the hands of those who can give tomorrow's generations valid reasons to live and hope." I tend to believe we fit that role. I don't feel that to be a boastful claim, but rather an acceptance of responsibility. Do what you will with the time that is yours then. Just be assured of one thing ... you won't be alone. The rest of us will be right here with you. Very often the best choice of action is to do exactly what you already are doing. If your heart leads you to participate in one or more of the projects which support Project Gutenberg then you are likely already doing what you should to help make this vision a sustaining reality. We all matter. Every task we take on from proofing a page to writing a column makes a worthy difference and counts for the long term. If you feel an urge to go an extra length sometime, consider the power in thinking about the larger context of the work which today places in your hands. When you come to your own realization of the significance of that work try reminding others close to you in subtle ways just how significant their share is. Simply then, let us not forget why we are here together. We all love most is what we hold cherished memories of and we tend to preserve what we love. Refreshing our memory from time to time then is very closely related to this line of work. That's my piece for now. February is the shortest month, but you will not know it from how full the next two newsletters are going to be. As we start our in-depth exploration of what makes DP purrrr so finely, we will discover together many wondrous details never before published anywhere. You can expect the secrets of the DP masters to be revealed in these very pages! How does Jon Ingram scan like that--does he really have four arms? Where did Big Bill actually get the magic proofing font from and what manner of ciphers are hidden within its unusually shaped characters. Have Curtis and Dave truly discerned the identity of the figure on the 'grassy knoll?' How in the world did Prishan manage to proof the equivalent of twenty years of the Encyclopaedia Britannica at the same time as he shepherded 35 books through Post? Are the rumors true? ... does he actually belong to a secret Guild of free & associated Post Processors? All this and more will be revealed by month's end. Don't miss a word! ... stay right here and I promise to make up some true stuff for you. Really, stay close by. This is an important month for all of us. We may need some extra hands on staff at the newsletter, and I am sure to keep everyone up way past their normal bedtime, but we'll see that you stay informed. There are many developments going on for DPEU and PGEU this week. It is an exciting week across the continent, I am doing my best to keep up with all the latest tips. It is going to take a special issue to cover all the news as MH wraps up his tour of Europe. We will be working time and half to bring you all the details as we get word of them. In the meantime check in at the forums of DPEU to keep up on the progress of events. While you're there lay down some support and take on a few pages. After all, that's how we make history around here ... one page at a time. Until next week, all the best in the world for you! Thierry Alberto Radio Gutenberg Update www.gutenberg.net/audio channel 1 - Sherlock Holmes "The Sign of Four" channel 2 - Robert Sheckley's "Bad Medicine" Both are high quality live readings from the collection. Testing of Radio Gutenberg audio books on demand is currently taking place. QUICK WAYS TO MAKE A DONATION TO PROJECT GUTENBERG A. Send a check or money order to: Project Gutenberg Literary Archive Foundation 809 North 1500 West Salt Lake City, UT 84116 B. Donate by credit card online NetworkForGood: http://www.guidestar.org/partners/networkforgood/donate.jsp?ein=64-6221541 or PayPal to "donategutenberg.net": https://www.paypal.com /xclick/business=donate%40gutenberg.net&item_name=Donate+to+Gutenberg Project Gutenberg's success is due to the hard work of thousands of volunteers over more than 30 years. Your donations make it possible to support these volunteers, and pay our few employees to continue the creation of free electronic texts. We accept credit cards, checks and money transfers from any country, in any currency. Donations are made to the Project Gutenberg Literary Archive Foundation (PGLAF). PGLAF is approved as a charitable 501(c)(3) organization by the US Internal Revenue Service, and has the Federal Employer Identification Number (EIN) 64-6221541. For more information, including several other ways to donate, go to http://www.gutenberg.net or email gbnewbyils.unc.edu 3) Notes and Queries, Reviews and Features Romantic Love Literature: Short Essay and Shorter Quiz By Tonya Allen Romantic love has been a strong theme in literature from its beginning. Two of my favorite love stories are among the oldest--the story of Pyramus and Thisbe, and the story of Baucis and Philemon, which can both be found in PG's etext of Bulfinch's The Age of Fable.* PG's collection includes many love stories; a quick search reveals dozens of titles or subtitles containing the magic word "love". Some of the latest additions include The Love Affairs of Great Musicians, Vol. 1 (Vol. 2 will appear shortly), with a lovely HTML edition; The Garden of Bright Waters: One Hundred and Twenty Asiatic Love Poems; The Elegies of Tibullus: Being The Consolations Of A Roman Lover Done In English Verse; A Love Story, by A Bushman; and Literary Love-Letters, by Robert Herrick. For those who find all this hopelessly sentimental, may I recommend The Dog: A Nineteenth-Century Dog-Lovers' Manual, a Combination of the Essential and the Esoteric; The Botanic Garden. Part II. Containing The Loves of the Plants; or Aphra Behn's Love-Letters Between a Nobleman and His Sister. Let's not forget The Love Sonnets of a Car Conductor, and The Love Sonnets of a Hoodlum, both by Wallace Irwin. Or how about Malignant Self Love, or Narcissism Book of Quotes, both by Sam Vaknin. Sadly, another of my favorite love stories, Pushkin's Yevgeny Onegin, is not in PG..... yet. For now, one can read the original Russian and the English translation side by side at this site: http://www.pushkins-poems.com/Yev001.htm OK, here comes the quiz, shorter than usual but I hope you enjoy it. Just match the quotation with the title. It's multiple choice this time. 1. It seems she hangs upon the cheek of night Like a rich jewel in an Ethiop's ear a) The Song of Solomon b) Othello c) Romeo and Juliet d) Love for Love e) India's Love Lyrics 2. He got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears. 'Come in! come in!' he sobbed. 'Cathy, do come. Oh, do - ONCE more! Oh! my heart's darling! hear me THIS time, Catherine, at last!' The spectre showed a spectre's ordinary caprice: it gave no sign of being; but the snow and wind whirled wildly through, even reaching my station, and blowing out the light. a) The Love-Tiff b) Wuthering Heights c) A Phantom Lover d) Love Among the Chickens 3. The moon was high and magnificent in the August night. Mrs. Morel, seared with passion, shivered to find herself out there in a great white light, that fell cold on her, and gave a shock to her inflamed soul. a) The Love Affairs Of A Bibliomaniac b) Women in Love c) Sons and Lovers d) Love at Second Sight 4. Et elle restait seduite pourtant, elle songeait invinciblement au chevalier Ivanhoe, si passionnement aime de deux femmes, Rebecca, la belle juive, et la noble lady Rowena. a) Une page d'amour b) Strates amoureuses c) Amour d) Ivanhoe 5. Und liebt mich meine Luise noch? Mein Herz ist das gestrige, ist's auch das deine noch? a) Nina Balatka b) Die Laune des Verliebten c) Kritik der reinen Vernunft d) Kabale und Liebe *(All the titles mentioned here are, of course, in the PG collection, and can be found using the wonderful new search on this page: http://www.gutenberg.net/find.shtml). A to Z - 'X' Following Tonya's piece on romance (xxxxxxx), you might expect that Project Gutenberg probably doesn't have much that fits into this category. There are three authors in the catalogue Xueqin Cao and Xun Yue, both of whom are Chinese and Xenophon, 431-355 BC. Greek historian, essayist, and soldier, the author of Anabasis Kyrou (The Persian Expedition), a tale Greek mercenaries who fought their way back from the gates of Babylon to the Euxine (Black Sea). Among Xenophon's other works are Hellenica, a continuation of Thucydides' history of Greek affairs from 411 to 362 B.C., the Memorabilia of Socrates, and the Cyropedia (Education of Cyrus), a historical novel about Cyrus the Elder, the founder of the Persian empire. Xenophon was born in Attica and grew up during the war between Athens and Sparta (431-404 B.C.). At an early age Xenophon become a friend of Socrates, whom his father Gryllus defended. In his own writings Xenophon focused mostly on practical subjects or history, without showing much enthusiasm for philosophical speculations. In the Memorabilia he gives much lighter version of Socrates' teachings than Plato, who was also his contemporary. Xenophon portayed Socrates as a cheerful, down-to-earth character, who, like Aesop, solves moral problems with pragmatic attitude. Although Xenophon was an Athenian, he spent much of his life in Sparta. When democracy was reestablished in Athens in 401, Xenophon, a man of right-wing political opinions, turned his back on its new leaders and went to abroad. He joined, with ten thousand Greek mercenaries, the expedition (anabasis, march up country) of Cyrus the younger into the hinterland of Asia Minor. However, Cyrus's real aim was to oust his brother King Artaxerxes II of Persia. His plan failed - Cyrus lost his life in the battle of Cunaxa. The mercenaries were left leaderless on the plains between the Tigris and the Euphrates, over 1,600 kilometers (about 1,000 miles) from home. Xenophon was elected one of the generals. In this role he took the principal part in the struggle of the Greeks to return home through the "barbarian" world of Persia. Less than 6,000 mercenaries survived. The Anabasis become not only an account of the expedition but a tale of military virtues, discipline, leadership, and courage. After "the march of the 10,000" Xenophon entered the service of the Tracian king Seuthes and in 396-394 he served the Spartan king Agesilaus II, who defeated a coalition of Greek states at the Battle of Coronea in 394. About 365 Xenophon returned home, and settled with his wife Philesia and two sons at Scillus in Elis. There, during the following two decades, he probably composed most of his works. Xenophon's experiences in cavalry and love of horses prompted two books, Hipparchikos (Cavalry Officer) and Peri hippikes (On Horsemanship), the oldest surviving complete manual on this subject. Xenophon starts the latter work by explaining, how to avoid being cheated when buying a horse. In Hieron, a fictitious discussion between King Hiero I of Syracuse and the poet Simonides of Ceos, Xenophon presented ideas how an autocrat can secure his subjects' loyalty. Xenophon died in Corinth. His last book was probably Poroi e peri prosodon (Ways and Means), in which he suggested methods for improvement of Athenian public finance and advocated a policy of peace. A Hilltop on the Marne by Mildred Aldrich This was brought to my attention this week as it was posted by Joe Loewenstein. Joe states that 'The author had a successful career as a journalist in the U.S. in the late 19th century, then retired to France about the turn of the 20th century. After living in Paris a number of years, she moved to a house in the countryside just before the outbreak of World War I. This book is a collection of letters she wrote during the early months of the war. Her style and command of language are excellent, and it's hard to stop reading once one starts. The html version includes some illustrations.' Mildred Aldrich, was born in Providence, Rhode Island and was raised in Boston, Massachusetts. She began her career as a journalist with the Boston Home Journal, and later worked for the Boston Journal and the Boston Herald. In January 1892 she founded The Mahogany Tree, which she edited until December 1892, when the magazine folded. Published weekly, The Mahogany Tree contained editorials, fiction, poetry, and drama and book reviews. In 1898 she travelled to Paris, and subsequently settled there. Whilst living in France, she became a close friend of Gertrude Stein and Alice B. Toklas, and was a member of their social circle. She worked as a foreign correspondent, translated plays from French into English, and negotiated the rights to the works of French playwrights for production in the United States. In 1914 she retired to "Hilltop" ("La Creste"), her cottage in Huiry, a village on the outskirts of Paris. While at "La Creste" she published four collections of her letters: Hilltop On the Marne (1915), On the Edge of the War Zone (1917), Peak of the Load (1918), and When Johnny Comes Marching Home (1919). She also published a novel, Told In A French Garden (1916). In her later years she was supported largely by a fund that had been established for her by Stein and Toklas in 1924. She died at "La Creste" on February 19, 1928. The book that has been posted encompassess 'Letters Written June 3-September 8, 1914', and it is interesting to see an eye-witness of the American Civil War begin to describe the events of The Great War of Europe, how she finds this thrilling and yet tragic within the same sentence. The author goes on to describe events within her commune which is sited very close to the corner of Belgium, France and Germany, as day to day living goes on. This is a book which would have illuminated my History O'level in a way I only dreamt about all those years ago. If only text books were as compulsive reading as this. Mailing list information For more information about the Project Gutenberg's mailing lists please visit the following webpage: http://gutenberg.net/subs.shtml Trouble? If you are having trouble subscribing, unsubscribing or with anything else related to the mailing lists, please email "owner-gutnberglistserv.unc.edu" to contact the lists' (human) administrator. Please note the email address spelling. If you would just like a little more information about Lyris features, you can find their help information at http://www.lyris.com/help Please note that the newsletter staff do not have access to the mailing list email address list, so they are unable to subscribe / unsubscribe you themselves. They can however, give advice if you have trouble following the procedures on the webpage. Current Subscription Numbers as at end January 2004 gweekly - 2821 gmonthly - 3496 Credits Thanks this week to Brett and George for the numbers and the booklists. Thierry, Tonya, Joe, Greg, Michael and Larry Wall, plus the newsletter backroom staff. Entertainment for the workers provided as usual by BBC 6Music and Andrew Collins.
pgweekly_2004_02_12_part_1.txt
If you liked this post, say thanks by sharing it.